Emo Art is Cool!

Don’t cry over spilled wine.

Emo art is another school project. I had no idea this is a style until we were given a page full of art styles and told to create a piece for a few of them. I fell in love with Emo art as soon as I saw it, so much so that I’d love to do a graphic novel in this style.

I do have to admit that this is a bit of a rip off from DemiseMan on Deviant Art. Definitely check out that page. Really amazing stuff there. The monsters are especially fierce. Another reason to use the style for my own story in my own style.

Angels Dark & Dumb News: The outline for Corner of Hell and Second Chances is complete. And I started writing the first scenes. Barry meets Satan at the beginning of book #3.

Nothing more. Have a great week!

Bride of Chucky

Look who joins the Ladies of Horror. Tiffany, Bride of Chucky, is done. Probably the most fun to do, especially around the eyes. Great horror comedy movie, and Jennifer Tilly is so good as Tiffany.

I actually finished this one over a month ago, but forgot to post her here. And I just finished Frank-N-Furter, but you’ll have to wait a few weeks to see Tim Curry here. The drawing is on my @meanwinniejean Deviant Art account if you want to see it now.

Sadly, Frank-N-Furter is the last Ladies of Horror I’m doing for awhile. I’m moving on to Grim Reapers or Zombies. I’m also refining the illustrations for a children’s book I wrote for a school project. It’s time that I publish the book. It will be a similar format to the Frog and Toad books.

That’s all this week. Have a great next week.

Note that this series is a mix of well known Ladies of Horror done in a Patrick Nagel style from the 80s. I started these to better learn the Pen tool in Adobe Illustrator, and they’ve become an obsession. If there’s a lady of horror you’d like to see, leave her in a comment. I will start them back up at around Halloween.

Warrant for Damnation Cover Reveal

Revealing the cover for Warrant for Damnation today. Special thanks again to Rebecca Treadway at Atrtink. Below is chapter 1 of the book.

ENJOY!

Who in his right mind goes home with a stranger he met on the highway like I did last night? Then again, it’s not the stupidest thing I’ve done over the past four days.

I peek outside the bedroom where I’ve tossed and turned the last few hours. At nearly five in the morning, the second-floor hallway is deserted. Perfect for a speedy getaway. But there’s no telling who or what lurks behind the oak doors that break up the flowery red-and-gold wallpaper.

On an ordinary workday, I’d rush off to my courier job for Hell. Yes, the literal Hell. Then I’d spend half my day pissing off my demon boss Margery, although not on purpose.

No work today though. As of yesterday, life is…complicated.

While I’m innocent, Margery managed to convince Satan that I sabotaged his plan to open the Gates of Hell. And God believes I sacrificed hundreds of His white warriors to get the job done. Worst of all, Margery’s Minotaurs took off with my friend Nina before we were able to escape together.

Floorboards creak under my skater shoes as I duck into the hallway, my messy brown curls brushing under the doorframe. The smell of pancakes rises from the first floor and awakens my senses in a bad way. Fruity flavored cereal and gin are more my breakfast of champions, but it doesn’t matter. No time to eat. I’ve got to sneak out and save Nina from the seven levels of misery that Margery’s likely inflicting on her.

A doorknob clicks to my left.

Damn!

Pete exits a bedroom with a smile. “Morning, Barry. Able to sleep?”

He’s the stranger who brought me to this old farmhouse, and he’ll try to convince me to stay. Pete professes to be a miracle worker for the Catholic Church and can smooth things over with God. He’s also promised to nullify my contract with Satan and provide protection against Hell’s bounty hunters. Boy, I want to believe him, but the mosh pit of butterflies in my stomach warn to trust no one.

My grip tightens on the wood-carved railing. Get out. Find Nina.

On impulse, my feet take off, descending the stairs at hyper-speed, as if I’m The Flash in the comic book series. Unable to control this ability attained during a trip to Hell’s refugee camp, all I can do is tuck and go into a double somersault to put on the brakes. I land on something rigid at the bottom of the staircase, pain erupting in my ribs.

“Damn!” I shiver at the sight of a wooden shard from the broken coat rack piercing my t-shirt and torso at my side. I grit my teeth, grab the protruding spike, and yank. Cupping the gash is no help. Bright red blood oozes between my fingers and drips onto my baggy jeans.

Seems everything I do lately turns to shit or a fountain of gore.

Pete descends to the first floor, my body twitching with each heavy step of his cowboy boots. He’s more wrinkled than I remember. Maybe his jet-black pompadour concealed his age.

He sweeps back his tan tweed jacket and slides a thumb into the front pocket of his jeans. The way he dresses, the guy could be a cowboy professor.

“I’d ask how you feel,” he says, “but that wound is answer enough.”

While struggling to pick up my glasses and stand on unsteady legs, I clench my jaw tighter and suck air between my teeth.

“Hold on, Barry.” Pete skips down the last few steps. “Let me help.”

Still clutching my ribs, I recoil, suspicious of anything he’s offering. “It’ll heal in a few minutes.”

“Let’s at least get you tidied up,” he says, “and into clean clothes.”

“Thanks, but no time.” I face the front door, decorated with panes of yellow-stained glass. “Besides, I shouldn’t be here. I have to find Nina before Margery turns her into a demon chew toy.” My gaze drops, knowing what a gutless loser I am for leaving her behind.

“Two seconds outside and you’ll have Hell’s bounty hunters fighting to take you in for closing the hellhole. At least stick around long enough to break your contract with Satan. They won’t be able to track you.”

“You saw me move. I’m too fast to catch.”

“But not very coordinated.” He lifts an eyebrow and half grins.

After a brief pause, I sidestep toward the door.

“Nina’s fine.” Pete pulls a cell phone from his blazer pocket. “Oscar’s keeping an eye on her at the warehouse. Call him. He’ll let you talk to her.”

“He hates me, not to mention he’s Margery’s lackey.”

“Like I told you. Oscar’s a double agent. He’s been feeding me information for years and has always been reliable.” Pete waves the phone. “Go ahead. His number’s the last incoming call.”

I blow out a long sigh, reach for the cell, and grasp it with blood-soaked fingers. Instead of contacting Oscar, I flip through the call log and find the names of people close to me. I glare at Pete, feeling more guarded than ever. “Why’ve you been talking to my mother and Father Timothy?”

“She’s worried…” he stutters. “They’re worried, Barry, and I’ve been watching—”

“Watching Margery take my soul and turn me into a wanted man.”

“Remember last night, when I mentioned Margery blamed me for closing the Gates of Hell the year you were born? I understand what you’re going through. It’s why you should stay. Barry, please, there’s so much more you need to know.”

The phone slips out of my hand and falls to the floor. My only thought, No one can be trusted, not even Mom. I’m out the door at hyper-speed, my side erupting with pain.

Angels Dark And Dumb Margery Reveal

It’s reveal time. Got lots to show, but today is devoted to Margery the Demon. She is awesome! Special thanks to Rebecca Treadway at Atrtink.

So, it’s only fitting to share Margery’s introduction to Barry in Call for Obstruction. This is chapter 2, which is basically Barry’s job interview.

BTW, Angel’s Dark and Dumb eBooks will be $1.99 for
Amazon Prime Day from July 11-12.

ENJOY!

The OTG parking lot’s blocked by a couple car carrier semi-trailers. Parked willy-nilly across the lot are a dozen or more new OTG vans. Hopefully a sign that the company’s doing well, and this job will last longer than a month. I park on a side street and jog through the mayhem of vehicles to the entryway.

My phone sounds off near the office door. I clench my teeth. This time it is my mother. It’s like she has a sixth sense about me wasting all the money she spent on my private college education. The fact that I acquired a Computer Science degree by nineteen burns a little more with each unskilled job I take, and lose. How can her smart boy be such a loser?

My finger swipes hard against the surface to ignore her call, but she always tries twice. After counting to ten in my head, the device announces another incoming call from Mom. Only this time the screen blacks out after the first ring. I press the power button. No response despite the half-charged battery. Why argue with good timing? I put the phone in my pocket and step inside the OTG lobby.

The place is deserted even though Margery said she’s always here. Her office is nothing like the typical delivery drop-off site. Reminds me a little of my grandmother’s basement, or a time warp into the nineteen-seventies. Wood paneling, windowless walls, and dark brown cabinets along one wall make the room eerie despite the florescent lighting.

The empty liquor bottles scattered across an olive green countertop and beside the color-coordinated refrigerator could explain her confusion about the accident. The smoke rising from an ashtray on a nearby table tells me she’s prone to bad habits. Who am I to complain? My other bosses this year run stiff competition for worst manager of all time.

“Barry, you made it,” says a now familiar voice that seems to come out of nowhere.

I jump, turn, and look downward. A hunchbacked crone with flaming red and orange streaked hair stands behind me. Either she’s light on her feet or a magician in her spare time. Her hairdo’s combed upwards, like a troll doll, lifting her height to nearly five feet. The woman sure likes orange. It’s also the color of the leggings below her blue oversized Broncos t-shirt.

She holds out her hand. “Margery.” We shake and electricity surges up my arm. When I stumble backward, she lets go. A crooked smile turns up one side of her puckered mouth and she winks. “You find the warehouse okay?” Her breath packs a punch that smells like raw hamburger rotting in an ashtray.

With eyes popped wide from the lingering electricity, I nod my head.

She points toward the table and leaves me standing in the middle of the lobby. I follow, stroking my vibrating knuckles.

At the table, a chair slides out and hits my leg.

I pause.

The last half hour replays in my head: a strange van, an unexplained phone call, and now the furniture moves on its own.

I should have followed my first instinct. I should have gone home.

I peer across the table to tell her I’m leaving.

Margery’s charcoal eyeliner spirals around a bloodshot gaze. She draws me in like a tractor beam. In a slow, hypnotic hum, she says, “Have a seat.”

I flop into the chair, but not of my own free will. Set in front of me is a foot-high stack of paper that wasn’t there a few seconds ago. I open my mouth to ask about it.

Margery shushes me and reaches for the remnant of the still smoldering cigarette in the ashtray. She holds it between her thumb and index finger, places it between pursed lips, and inhales deeply. The cigarette crackles and snaps until it fires against her skin. When there’s no more smoke to draw in, she drops the butt into the ashtray and tamps her thumb down on the red-hot tip. The aroma of tobacco mixed with burning flesh fills the air.

“Before you can work for us”—she pauses to lick ash off her blackened fingertips with a serpent-like tongue—“you must agree to a few employment terms and sign our standard contract. All our drivers sign one.”

Bile rises to the back of my throat. I swallow hard and point at the tall stack of paper. “The contract seems excessive. What’s in it?” Not that I’m going to sign it.

She falls back in her chair, lifts her arm, and a newly lit cigarette appears out of nowhere. “Top copy’s salary, fifty-five an hour plus time-and-a-half overtime. There’s other standard stuff for liability and such.” She flips her hand as if the latter part is unimportant.

My eyes open wide at the thought of making more an hour than any job I’ve ever landed. But I don’t like that this lady can make me sit like a trained dog. I slide my chair back, ready to get up and leave, and at the same time wonder what sort of liabilities require that much documentation.

“Driving for us or any courier service can be dangerous, among other things,” she says, as if she heard my thoughts.

“Are you talking about accidents? Are these like insurance forms?”

“Sure.” She picks up the pen and holds it out. “Like insurance forms.”

I rub the back of my neck and watch her wave the pen like a pendulum. “So if anything happens to me, I’ll be taken care of?”

“Yeah, Honey. We’ll take care of you.” That creepy grin curls up one side of her mouth again.

As much as I’d like to get the hell out of here, this job’s salary will keep me independent, not to mention buy me a new computer. Hell, I would sell my soul rather than move back in with my mother. My chair slides back up to the table with no effort from me.

“Right there at the bottom,” she says. “Sign your name and you’re employed.”

My eyes fix on the nib as it continues to sway left and right. In the background, Margery duplicates into two hovering heads, then three, then four. The more she multiplies, the blurrier my vision, until all the colors turn to blackness.

* * *

“All done,” Margery’s voice echoes in my head while the room comes back into focus.

“I signed?” Smoke belches out of my mouth. I jump to my feet and the chair screeches across the floor. “What did you do to me?”

She stands and pulls the tall stack of papers to her side of the table. “Be here tomorrow morning at six o’clock sharp.”

“I don’t think so.” More smoke escapes my mouth and clouds my vision. I turn around, full circle, and find I’m wasting my breath. There’s no one left in the room but me.

Go to the Angels Dark and Dumb Series Page from July 11-12 to get the eBooks for $1.99.

Fatso Progress

Took the entire weekend off last week for the first time in months to enjoy Mother’s Day and play with real paints and digital drawings. Here’s a digital drawing start of Fatso, one of the obnoxious ghosts from the Casper movie. Remember it? I watch it every Halloween month, mostly because I’m a huge Christina Ricci fan. Such a fun movie. This is from a hilarious scene where he becomes the deceased mother of Christina Ricci to kiss her father.

Fatso’s part of my Ladies of Horror series where I take a well known female horror character and turn her into a Patrick Nagel painting. I’m getting kinda bored with the tracings, so this has been extra fun to do. Taking me a bit of time to work on because I’m not the greatest with gradients yet. The character just works so much better with depth. Took me forever to get the hair the way I like it, and as a critical artist, I could five you a list of things I still hate about it. Hoping to get it done before next week’s status.

Big news on Angels Dark and Dumb. I’ve changed the name of the third book based on some critique advice I got from a writer friend. Originally the title was Cause for Redemption. The title goes well with Call for Obstruction and Warrant for Damnation, it following a similar pattern of words. But, again, it kinda has a lack of comedy feel. So, I’m changing the title to something I came up with a while back. Are you ready for it? Big reveal…

On the Corner of Hell and Second Chances

What do you think? It actually goes well with the titles for the three next books in the series. Yes, I’ve gotten as far in naming and detailing the ideas for them. Let’s just hope it doesn’t take another 10 years to see them published.