Angels Dark And Dumb Margery Reveal

It’s reveal time. Got lots to show, but today is devoted to Margery the Demon. She is awesome! Special thanks to Rebecca Treadway at Atrtink.

So, it’s only fitting to share Margery’s introduction to Barry in Call for Obstruction. This is chapter 2, which is basically Barry’s job interview.

BTW, Angel’s Dark and Dumb eBooks will be $1.99 for
Amazon Prime Day from July 11-12.

ENJOY!

The OTG parking lot’s blocked by a couple car carrier semi-trailers. Parked willy-nilly across the lot are a dozen or more new OTG vans. Hopefully a sign that the company’s doing well, and this job will last longer than a month. I park on a side street and jog through the mayhem of vehicles to the entryway.

My phone sounds off near the office door. I clench my teeth. This time it is my mother. It’s like she has a sixth sense about me wasting all the money she spent on my private college education. The fact that I acquired a Computer Science degree by nineteen burns a little more with each unskilled job I take, and lose. How can her smart boy be such a loser?

My finger swipes hard against the surface to ignore her call, but she always tries twice. After counting to ten in my head, the device announces another incoming call from Mom. Only this time the screen blacks out after the first ring. I press the power button. No response despite the half-charged battery. Why argue with good timing? I put the phone in my pocket and step inside the OTG lobby.

The place is deserted even though Margery said she’s always here. Her office is nothing like the typical delivery drop-off site. Reminds me a little of my grandmother’s basement, or a time warp into the nineteen-seventies. Wood paneling, windowless walls, and dark brown cabinets along one wall make the room eerie despite the florescent lighting.

The empty liquor bottles scattered across an olive green countertop and beside the color-coordinated refrigerator could explain her confusion about the accident. The smoke rising from an ashtray on a nearby table tells me she’s prone to bad habits. Who am I to complain? My other bosses this year run stiff competition for worst manager of all time.

“Barry, you made it,” says a now familiar voice that seems to come out of nowhere.

I jump, turn, and look downward. A hunchbacked crone with flaming red and orange streaked hair stands behind me. Either she’s light on her feet or a magician in her spare time. Her hairdo’s combed upwards, like a troll doll, lifting her height to nearly five feet. The woman sure likes orange. It’s also the color of the leggings below her blue oversized Broncos t-shirt.

She holds out her hand. “Margery.” We shake and electricity surges up my arm. When I stumble backward, she lets go. A crooked smile turns up one side of her puckered mouth and she winks. “You find the warehouse okay?” Her breath packs a punch that smells like raw hamburger rotting in an ashtray.

With eyes popped wide from the lingering electricity, I nod my head.

She points toward the table and leaves me standing in the middle of the lobby. I follow, stroking my vibrating knuckles.

At the table, a chair slides out and hits my leg.

I pause.

The last half hour replays in my head: a strange van, an unexplained phone call, and now the furniture moves on its own.

I should have followed my first instinct. I should have gone home.

I peer across the table to tell her I’m leaving.

Margery’s charcoal eyeliner spirals around a bloodshot gaze. She draws me in like a tractor beam. In a slow, hypnotic hum, she says, “Have a seat.”

I flop into the chair, but not of my own free will. Set in front of me is a foot-high stack of paper that wasn’t there a few seconds ago. I open my mouth to ask about it.

Margery shushes me and reaches for the remnant of the still smoldering cigarette in the ashtray. She holds it between her thumb and index finger, places it between pursed lips, and inhales deeply. The cigarette crackles and snaps until it fires against her skin. When there’s no more smoke to draw in, she drops the butt into the ashtray and tamps her thumb down on the red-hot tip. The aroma of tobacco mixed with burning flesh fills the air.

“Before you can work for us”—she pauses to lick ash off her blackened fingertips with a serpent-like tongue—“you must agree to a few employment terms and sign our standard contract. All our drivers sign one.”

Bile rises to the back of my throat. I swallow hard and point at the tall stack of paper. “The contract seems excessive. What’s in it?” Not that I’m going to sign it.

She falls back in her chair, lifts her arm, and a newly lit cigarette appears out of nowhere. “Top copy’s salary, fifty-five an hour plus time-and-a-half overtime. There’s other standard stuff for liability and such.” She flips her hand as if the latter part is unimportant.

My eyes open wide at the thought of making more an hour than any job I’ve ever landed. But I don’t like that this lady can make me sit like a trained dog. I slide my chair back, ready to get up and leave, and at the same time wonder what sort of liabilities require that much documentation.

“Driving for us or any courier service can be dangerous, among other things,” she says, as if she heard my thoughts.

“Are you talking about accidents? Are these like insurance forms?”

“Sure.” She picks up the pen and holds it out. “Like insurance forms.”

I rub the back of my neck and watch her wave the pen like a pendulum. “So if anything happens to me, I’ll be taken care of?”

“Yeah, Honey. We’ll take care of you.” That creepy grin curls up one side of her mouth again.

As much as I’d like to get the hell out of here, this job’s salary will keep me independent, not to mention buy me a new computer. Hell, I would sell my soul rather than move back in with my mother. My chair slides back up to the table with no effort from me.

“Right there at the bottom,” she says. “Sign your name and you’re employed.”

My eyes fix on the nib as it continues to sway left and right. In the background, Margery duplicates into two hovering heads, then three, then four. The more she multiplies, the blurrier my vision, until all the colors turn to blackness.

* * *

“All done,” Margery’s voice echoes in my head while the room comes back into focus.

“I signed?” Smoke belches out of my mouth. I jump to my feet and the chair screeches across the floor. “What did you do to me?”

She stands and pulls the tall stack of papers to her side of the table. “Be here tomorrow morning at six o’clock sharp.”

“I don’t think so.” More smoke escapes my mouth and clouds my vision. I turn around, full circle, and find I’m wasting my breath. There’s no one left in the room but me.

Go to the Angels Dark and Dumb Series Page from July 11-12 to get the eBooks for $1.99.

Life Like Drawing

Showing off my ability to copy anything and make it look real this week. I love to copy with pencil in black and white in general. This was a fun assignment because it’s the opposite, the drawing done with white pencil instead. This one is framed on my wall, and most people approach thinking it’s a photograph.

I usually do life-like drawings in portrait form. I especially love doing old people because there is so much character in their faces, not to mention it’s a challenge to do the wrinkles.

If you are a writer and find keeping your manuscript clean of extra lines and spaces a huge challenge, I wrote a blog post you’ll find helpful. Manuscripts Are A Dirty Business: Remove The Extra Sections, Breaks, and Spaces Before submitting or Formatting Your Book is a great checklist to follow before you format your book. It strips out a lot of the formatting you don’t need and that can cause quite a few headaches, especially with eBook formatting. In general, it’ll help you keep your manuscript clean, and that’s the best option in MS Word because it can cause so many hidden issues with a document.

Minor news on Angels Dark and Dumb. Major progress on the covers and Margery. I know I keep promising this, but the reveal should happen next week. I’ll probably do it in a separate post from my weekly status and artwork post.

Until next week…

Ladies of Horror: Grace Jones as Vamp

Another blast from the past with the movie Vamp, starring Grace Jones. The movie was released in 1986, and I remember seeing it in the theater. The 80s horror movies were filled with students getting in trouble with various types of monsters, and this movie is no different. For the trivia piece, Grace Jones doesn’t speak at all in the movie. While I went with one of her beautiful portraits that’s used on the movie poster, seeing her in true vampire form is worth a look. I love the red wig! I strayed from the usual purple color scheme because she needed the red hair and contrasting skin colors. I’m kinda regretting not giving her the striking blue eyes, but I can always change it later.

Reminder that this series is a mix of Ladies of Horror from TV and movies done in a Patrick Nagel style. I started these to better learn the Pen tool in Adobe Illustrator, and they’ve become an obsession. If there’s a lady you’d like to see, leave her in a comment.

Minor news on Angels Dark and Dumb. No news this week on cover progress and such. I have started a series of collages based on the characters I have in full body by the cover artist, Atrtink Covers. Look for them on my social accounts, links at the bottom of the page. Some for Margery have already posted. I’ll change to her full-body caricature once I get it. More coming for her and Barry, Trisha, Azael, and the hellhound in coming weeks.

Until next week…

Drink Til You Puke

Going back to an old class project again this week. The assignment was to choose some art styles, and this one is Punk art. This style tends to have words and look more poster-ish. Did this in Canva and Adobe Photoshop.

Have been playing around with Adobe Express, which used to have a different name. It’s basically equivalent to Canva. I think I prefer it because they are doing a better job of integrating their AI image generator. I generally prefer navigation around the screen there too. I have used Canva forever and I think I just got too settled using it.

Minor news on Angels Dark and Dumb. I was able to review updates to Barry on the first 2 book covers. And Margery is done, but I’ll wait until next week to reveal her. Everything should be done by then, and I should be able to republish everything as well.

In other exciting Angels Dark and Dumb news, I’m making progress on the updated outline. I finished a pass through it and am still happy with the general story. I’m not happy with Barry’s character arc, so that will require another pass through the outline. The good news is that I plan to release the book on Vella as it’s being written, so you won’t have to wait 10 years for another book.

Until next week…

Death of Medusa

For the last week, I’ve mostly been working on other people’s or writer’s artwork and books, so I dug through the archives again. This is another school project I’m thinking I’d like to revisit with a different subject matter. Hmm… What might I do, because ideas are half the battle?

The subject of this piece is obviously Medusa. What makes it so fun is that it is a deconstruction as you can see in the second image. This was originally done as a construction paper cut out. Each side was in balance to start, and then I cut the pieces to complete the deconstruction.

Fitting for a horror comedy writer and artist to have a love of scissors. I do a lot of pieces by first cutting out shapes to create templates, especially if they are geometric pieces. Then I like to bring these into Adobe Illustrator and trace them.

Minor news on Angels Dark and Dumb. I received an updated look at the Margery character drawing and it’s a hoot. I can’t wait to unveil her. Otherwise, covers are almost done too.

Until next week…