Winnie’s Weekly Wonders: Top 10 Christmas Holiday Horror Movies

The holiday season is upon us, and while most people turn to cheerful classics like Home Alone or Elf, some of us prefer our Christmas cheer with a side of blood. So, here’s a list of some of the best holiday horror movies to watch again.

1. Black Christmas (1974)

Widely regarded as one of the first slasher films, Black Christmas tells the story of a group of sorority sisters terrorized by a mysterious killer during the holidays. Its eerie atmosphere and unsettling phone calls make it a must-watch for horror fans.

2. Gremlins (1984)

This dark comedy horror classic is the perfect mix of cute and creepy. When mischievous creatures wreak havoc on a small town during Christmas, it’s a chaotic reminder to always follow the rules—especially when it comes to holiday pets!

3. Krampus (2015)

A modern holiday horror gem, Krampus is about the ancient Christmas demon who punishes those who lose their festive spirit. The film’s mix of humor, folklore, and frights makes it an instant classic for horror lovers.

4. Silent Night, Deadly Night (1984)

In this cult slasher, a young man traumatized by his childhood experiences with Santa takes up the red suit—and an axe. It’s a gory, over-the-top ride that has become a staple of Christmas horror.

5. Rare Exports: A Christmas Tale (2010)

This Finnish gem reimagines Santa Claus as a dark and terrifying figure unearthed by archeologists. Combining folklore and chills, this movie offers a fresh perspective on holiday horror.

6. Anna and the Apocalypse (2017)

Who says Christmas horror can’t have a little music? This unique blend of horror, comedy, and musical follows Anna and her friends as they fight to survive a zombie apocalypse—set during the holidays. It’s festive, funny, and gory in all the right ways.

7. The Lodge (2019)

The Lodge is a slow-burning psychological horror that takes place during a snowed-in Christmas retreat. With its unsettling atmosphere and shocking twists, it’s a tense addition to your holiday watchlist.

8. P2 (2007)

For those who want a more grounded holiday horror, P2 follows a woman trapped in a parking garage on Christmas Eve, stalked by a deranged security guard. It’s a tense, claustrophobic thriller perfect for those who dread holiday office parties.

9. A Christmas Horror Story (2015)

This anthology film delivers multiple holiday horror tales, including a showdown between Santa Claus and Krampus. It’s a fun, campy option for those who enjoy a variety of scares in one sitting.

10. Dead End (2003)

This underrated gem follows a family on a road trip gone wrong during Christmas Eve. With eerie twists and an unsettling atmosphere, it’s a haunting reminder that sometimes, getting home for the holidays can be the scariest journey of all.

Bonus: Honorable Mention

  • Jack Frost (1997): A campy cult favorite about a killer snowman. It’s so bad it’s good and perfect for a laugh-filled horror night.

These films are perfect for curling up on a chilly winter evening, hot cocoa in hand, with the Christmas lights casting just enough shadow to keep you on edge. Whether you’re a fan of slashers, supernatural scares, or dark comedy, this list has something to make your holiday season delightfully frightful.

Which holiday horror movies are your favorites? Let me know in the comments—I’m always on the lookout for more spooky cheer, so I’ll be in touch with any new holiday horror I find and watch whether they’re good or send me to check my email.

Winnie’s Weekly Wonders: Horns of Horror and a Crying Munster Movie Shame

Howdy all. Starting with a recent horror collage with a Heaven and Hell theme. Did a few of them you’ll find on Instagram, but this is my favorite, I think.

Anyway, Halloween is fast approaching, and it’s always been my absolute favorite time of year. It brings out my creative side like no other holiday. I love the eerie, otherworldly vibe that comes with it. It’s been so warm in Colorado this year, so it’s been a magical time, sitting on the deck, sipping wine longer than usual in 70-80 degree temperatures. Where I’m going after writing and releasing this post. Unfortunately, we don’t have Halloween decorations on the neighbors’ lawns to enjoy and I don’t decorate anymore, mostly because I’ve gotten very lazy about the holidays in general.

I haven’t watched as many horror movies as I expected, but I did watch a really bad horror comedy recently that totally shocked me. Here are my thoughts about the movie.

The Munsters (2022) Review

I had no expectations going into a viewing of Rob Zombie’s 2022 version of The Munsters, and maybe that was a good thing. While the film shines in its visual presentation, it falls flatter than a pancake in pacing, writing, and overall entertainment value. I wish I could say better things, but…

Sure, it had an impressive set design and a campy Gothic style that kept my eyes glued to the screen. Loved the purple and green colors that gave it an old-style monster movie vibe. But I kept shaking my head at the poor acting, or should I say over acting. I particularly hated Sheri Moon Zombie’s portrayal of Lily Munster, whom I consider being one of early TV’s strongest female characters. The guy that played Herman was a dim-witted caricature of the lovable character from the TV show, but at least Grandpa was entertaining at times.

This movie is WAYYYYY too long. The humor is just off in a bad way. And I won’t even waste my time talking about the poorly developed plot. The movie has a 4.5 on IMDB, and I just don’t get it other than that colorful Gothic atmosphere I mentioned earlier.

Rob Zombie may have had good intentions, but this version of The Munsters turned out to be an opportunity to check my email way too many times. In case you forget, if I’m tempted to check email during a movie, it’s a very bad thing.

That’s all I got for ya! Enjoy your Halloween!

Winnie’s Weekly Wonders: Time to Binge Watch Halloween Movies

This week, I have some exciting news to share—I’ve officially released The Pumpkin and the Mouse Jinn under my other writer name, Wendy Spurlin. The story has been a labor of love and a long time coming! It blends whimsy, adventure, and a touch of magic. I’ve mentioned previously that this tale that centers around a grumpy pumpkin and a tricky mouse jinn. It’s a story about the consequences of wishes and never being happy. I’m absolutely in love with the mouse, so there’s gotta be another book for him.

Besides that, my annual Halloween movie binge started a few weeks ago with the first 3 Halloween movies, although I’m only talking about the first 2. I don’t have to tell you that the first two Halloween movies (1978 and 1981) are pretty much a continuous story, creating a seamless narrative that feels like one extended film. Halloween (1978), directed by John Carpenter, introduces Michael Myers, who escapes from a mental institution and returns to his hometown of Haddonfield to stalk and kill babysitters, including Laurie Strode (Jamie Lee Curtis). And, of course, the movie ends with Michael being shot by Dr. Loomis (Donald Pleasence) and disappearing after falling from a balcony. Then in Halloween II (1981), it picks up immediately where the first movie leaves off, continuing the same night of terror. Laurie is taken to the hospital, where Michael relentlessly pursues her. Meanwhile, Dr. Loomis remains on Michael’s trail, determined to stop him for good. The second film expands on the story by revealing Laurie’s connection to Michael as his sister. Together, the two films follow a single narrative arc, with Halloween II feeling like the second act of the horror that began in the first film.

These 2 movies are so frequently watched that it seems like a waste of time to redescribe what I’ve seen so many times. Anyway, there’s rich with thematic meaning in the movies as I delve into my love of evil in pop culture. No, they’re not just teen slasher movies as we like to call them.

1. The Nature of Evil

In the first Halloween movie, Michael Myers is portrayed as the embodiment of pure evil. Dr. Loomis describes him as “purely and simply evil,” emphasizing that Michael is more than just a disturbed individual—he is a force of unstoppable, inexplicable malevolence. His lack of motive or reason for his killings makes him more terrifying, suggesting that evil can strike anywhere, without warning, and without a clear cause. Michael’s blank mask further enhances this idea, symbolizing the facelessness and anonymity of evil. He becomes less of a person and more of a supernatural, relentless force, representing the primal fear of the unknown and uncontrollable darkness lurking in society.

2. Survival and Innocence

Laurie Strode (Jamie Lee Curtis) represents innocence and survival. As the “final girl,” she’s the lone character who faces off against Michael and manages to survive, thanks to her resourcefulness, intelligence, and strong will. Her character can be seen as a symbol of purity and resilience in the face of chaos and violence.

Throughout the film, there’s a contrast between the carefree, hedonistic teenagers who fall victim to Michael and Laurie, whose sense of responsibility and vigilance ultimately save her. This theme plays into traditional horror tropes, where characters who engage in “reckless” behavior are often punished, while those who are more careful and virtuous survive.

3. The Impact of Trauma

In Halloween II (1981), the theme of trauma and its long-lasting effects is explored. The film picks up immediately after the first, following Laurie as she is hospitalized after her terrifying ordeal. Michael, now revealed to be her brother, relentlessly hunts her down again, linking the idea of family ties to deeper, personal trauma. Laurie’s journey in the second movie deals not only with physical survival but also the emotional toll of encountering such evil.

4. Fear of Suburbia’s Vulnerability

Both films emphasize the vulnerability of suburban life, shattering the notion that small towns are safe havens. Michael brings terror to the quiet streets of Haddonfield, proving that no place is immune to violence or evil. The setting of a seemingly idyllic, quiet suburban neighborhood juxtaposed with brutal murders reflects societal anxieties about the fragility of safety and normalcy, particularly in a time when suburban America was seen as an idealized retreat from urban dangers.

5. The Unstoppable Force

The films also tap into the fear of an unstoppable threat. Michael Myers survives being shot, stabbed, and injured, yet keeps coming. This persistence mirrors the broader theme of evil as an uncontainable force that can’t be easily destroyed or understood. The ending of Halloween (1978), where Michael disappears after being shot multiple times, leaves the audience with the unsettling idea that evil may never truly be vanquished.

The first two Halloween movies delve into themes of pure evil, survival, trauma, and the vulnerability of everyday life. Michael Myers represents an unstoppable, faceless force of terror, while Laurie Strode symbolizes innocence and resilience in the face of that evil. These elements, coupled with the backdrop of small-town America, create a lasting sense of dread and anxiety, leaving audiences to confront the idea that danger can lurk anywhere, at any time.

That’s all for this week’s wonders. More Halloween movies yet to come. What are your favorites?

Thank God The Holidays Are Over!

Quick update this week, mainly because I’m been working on this and that and recovering from the holidays as we all are. I’ve been eating way too much crap, so my year starts with a detox.

This week’s collage is Barry and a hellhound he runs into in the first book. The beast gets the better of him, as do most of the bad guys in Call for Obstruction. I like to think that Barry would have a hellhound as a pet in a future book. Not sure how to write it in yet though.

Watched about the worst holiday horror movie this week. The Curse of Jack Frost came out last year, and it has that same slow motion problem. Jack Frost wasn’t at all frightening, and too obvious a guy in a mask. The storyline was lacking and the characters were annoying. Boy can I pick ’em. The only written reviews for this movie are 1 out of 10 on IMDB, and they were generous. Give me some credit for sitting through the entire movie. But I do give credit to anyone who finishes a film and gets it out there. It’s a huge accomplishment. In this case, you can only hope they learn from their mistakes and make it better the next time.

All I got this week. HAPPY NEW YEAR! It’s going to be a good one!

Being Chased by White Warriors & Awesome Holiday Horror Movies

More AI art this week. This represents Barry in Call for Obstruction, when he’s being chased by white warriors. Don’t forget that the eBook is $1.99 through the end of the year. If you have no idea what a white warrior is, I’ve added Barry’s first encounter with one below.

Let me start by mentioning that I watched the 1974 version of Black Christmas this week for the first time. It’s one of those I can’t believe I haven’t seen. I probably don’t have to tell you it was great!

Also watched The Nights Before Christmas (2019) about a one-eyed psycho Santa with an ax and various other ways to make you bleed and suffer. It’s another poorly rated holiday horror movie at 3.8, but I loved it. I personally thought Simon Phillips (Santa) and Sayla de Goede (Mrs. Claus) were awesome in their roles as the crazies. Despite most of the reviews being 1 and 2 stars, there are quite a few 10 star reviews. That says there is an audience as demented as me for this one. If you’re like me and love indie horror movies, watch this one.

Barry’s Introduction to White Warriors

Two hours south of Denver, I feel as though I’ve been on the road half the day. Even fifty-five dollars an hour can’t make up for this much boredom. I’ve thought about ditching the van, but every time I do, I let out a dusty fart.

An unmistakable hacking cough echoes throughout the cab. “Margery?” It’s like she’s in my head, but not in my head.

“Yeah, Honey, it’s Margery.”

I jump in my seat and look around. “Where the hell are you?” A light on the radio catches my eye. It flickers like it’s on the fritz. Is that the source of her voice? I turn the only knob on it, but it doesn’t seem to do anything.

“Wanted to let you know a few of the drivers have encountered a flock of those birds I warned you about. They’re just south of Pueblo. Close to your current location.”

“Those things really exist?” I shift in my seat and look skyward.

“Why would I warn you about something that doesn’t exist?”

“I’m not a zoologist, but who would take man-sized birds that attack speeding vehicles seriously.”

“If you’re finished, Mister Smarty-pants, you’re in one of the new vans. The damage should be minimal.”

“Damage?” I squeeze tight on the steering wheel and talk at the radio. “Wouldn’t it be better to get off the highway? Wait for them to clear?”

Her voice fills the cab. “You’ll do no such thing. You’ll get that cargo to Trinidad ASAP.”

“It’s my first day.” My heart races faster.

“You have two options.” She lets out a long sigh that’s more of a growl. “Keep on the road or hide in a gas station restroom and shit out your intestines.”

Something tells me I’ll shit my pants either choice I make. I mumble, “Bitch.”

Considering today’s been nothing but clear blue sky, I doubt the white mass off to my right is a cloud. It enlarges as it descends. “I think I see them.”

“And they see you, Honey.”

“I’m not ready for this.”

“Too bad,” she says. “Keep it on the road and don’t stop. They can’t hurt you unless you stop.”

With wings that flap at a twelve-foot span, the birds swoop in. The first one dives straight at the windshield and hits the passenger side like a cannon ball. At least twenty more dive-bomb behind it.

The van rocks and swerves, but miraculously none of the birds break through.

I lean forward in my seat and hover over the steering wheel, struggling to keep the van on the road. My chin trembles. “This isn’t happening.”

“It sure is, Honey.”

“Stop calling me Honey.”

Margery hacks a laugh so hard she could hyperventilate.

“Shut up. This is not funny.” I floor the gas pedal, not that this van could outrun them, but it’s worth a try. “Shit! This is The Birds movie on steroids.”

“Stop talking and concentrate or you’ll end up bird feed.” Margery continues to bark out directions, but only half of what she says is discernible amid the screeching birds and flapping of wings against the windshield.

My neck whips backward as a ghostly white, human face head-butts the windshield. The monster snarls and punches the glass, which shatters, but just as quickly, the cracks fuse back into one clear sheet.

“They’re not birds,” I whisper at first, then reiterate for Margery’s benefit as loud as my voice allows. “They’re not birds.”

Outside the driver’s side window, another monster has a tight grip on the mirror. It bares sharp teeth and violently yanks at the door handle.

My body tilts to the right. The steering wheel rotates the same direction through clammy hands. “Ah!” I slam on the brakes to force the thing off the van. The vehicle goes into a tailspin before skidding to a stop.

Margery barks like a drill sergeant, “What part of ‘keep moving’ did you not understand?”

My foot forces the gas pedal to the floor even though my view is obstructed. “I’m trying. I’m trying,” I keep saying. I skid back around to head south and somehow manage to drive back onto the pavement.

“Hold it steady,” Margery says. “Help’s arrived.”

“Thank God.”

“Honey, God’s got nothing to do with this mission.”

Darkness descends over the van. A few of the toothy bastards break away, replaced by black wings and deafening squawks from a murder of crows. A pecking and clawing war between black and white commences overhead.

Blood rains down on the windshield, blocking my sight. My stomach turns as I fiddle with the dashboard controls. The wipers come on and jets of blue cleaning fluid squirt onto the gory mess.

The white creatures retreat back into the sky, a black veil in pursuit. Maybe I’m safe, but that doesn’t stop the full body shivers or loosen my tight chest. “Margery, help! Can’t…breathe. Having…heart attack.”

“Don’t be silly. You’re in shock?”

Shock. This is…not shock.” A bead of sweat streams down my forehead.

“When’s the last time you were pummeled by a flock of giant birds?”

“Those were not birds.” I pound my fist on my chest and white-knuckle the steering wheel with my other hand. “Seriously. Call an ambulance.”

“I don’t have time for this nonsense. Pull yourself together and finish your run to Trinidad.” There’s silence. Margery’s gone.

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