Winnie’s Weekly Wonders: Zombieland and Shaun of the Dead…A Tale of Two Zombie Comedies

Yes, it’s been another month instead of a week. I’m trying. Anyway, a few weeks ago, I posted a remembrance to Shaun of the Dead on Instagram, and a week ago I watched Zombieland with my nephew (his first viewing), so I thought it fitting to write about both these movies I love so much!

Zombie comedies, or “zom-coms,” have carved out a unique niche in the horror genre, blending the thrills of the undead with humor that ranges from slapstick to dark satire. Just so happens that both movies are two of the most iconic films in this subgenre are Zombieland and Shaun of the Dead. They approach the zombie apocalypse from different angles, offering distinct flavors of comedy and horror.

American Wit vs British Satire

The obvious differences between Zombieland and Shaun of the Dead is their approach to humor, rooted in their respective American and British origins.

Zombieland, directed by Ruben Fleischer, leans heavily on American wit and over-the-top antics. The humor is loud and in-your-face, with a focus on physical comedy and quick, sarcastic dialogue. The film embraces the absurdity of the zombie apocalypse, with memorable scenes like the “Zombie Kill of the Week” and the Jesse Eisenberg’s obsession with survival rules and his general fears. I love this film for its fast-pace and action-oriented comedy.

Shaun of the Dead, directed by Edgar Wright, showcases British satire and dry humor. The film’s comedy is more understated, relying on situational irony, deadpan delivery, and clever wordplay. Shaun’s mundane life is hilarious in the middle of the chaos of the zombie outbreak, especially his being obliviousness to the surrounding danger.

Archetypes vs. Everymen

Another key difference lies in the characters and how they reflect their respective films’ tones.

Zombieland features exaggerated archetype characters. Columbus (Jesse Eisenberg) is the neurotic, rule-following survivor; Tallahassee (Woody Harrelson) is the gun-toting, zombie-killing cowboy; Wichita (Emma Stone) is the clever, independent con artist; and Little Rock (Abigail Breslin) is the tough, resourceful teenager. Each character is distinct and larger-than-life, contributing to the film’s high-energy vibe. Their personalities drive much of the humor, particularly in how they interact with each other and navigate the post-apocalyptic world.

On the other hand, Shaun of the Dead presents characters who are more relatable and grounded. Shaun (Simon Pegg) and his best friend Ed (Nick Frost) are average, unremarkable men caught up in extraordinary circumstances. Shaun’s journey is one of reluctant heroism, as he’s forced to step up and take charge in a situation that’s far beyond his usual scope of experience. The supporting characters, including Shaun’s girlfriend Liz (Kate Ashfield) and his mother Barbara (Penelope Wilton), add to the film’s focus on personal relationships and the mundane struggles of everyday life. Shaun of the Dead feels less like an action movie and more like a slice-of-life comedy that just happens to feature zombies and lots of blood and guts.

Road Trip vs Survival at Home

The settings of the two films are completely different considering one is on the road as I mentioned earlier and one is in a local town.

Zombieland follows a road trip, with the characters constantly on the move as they search for safety and Twinkies in a world overrun by zombies. They encounter a series of adventures with unique challenges and opportunities for humor. The film is fast-paced, and the journey is a key element of the story, emphasizing the thrill of the open road in the middle of a zombie apocalypse.

In contrast, Shaun of the Dead is more contained, with much of the action taking place in Shaun’s home, the local pub, and the streets of suburban London. The film’s focus is on the internal growth of its characters, particularly Shaun. As they make their way through the zombie horde and try to survive, life’s little dramas persist.

Action-Packed vs. Subtly Satirical

Finally, the overall tone of each film reflects their distinct approaches to the zom-com genre.

Zombieland is action-packed and fun, with a crazy entertaining tone. The film’s emphasis on rule-breaking, zombie-killing, and high-stakes adventures creates a sense of exhilaration that engages viewers from start to finish. It’s a film that invites you to sit on the edge of your seat and enjoy the ride.

On the other hand, Shaun of the Dead balances its humor with moments of genuine emotion and social commentary. The film’s satirical tone invites viewers to reflect on the absurdities of modern life, particularly the monotony and routine that can make even a zombie apocalypse seem like just another day. Characters face genuine loss and personal growth, making the humor more poignant and the horror more impactful.

Each film offers a unique take on the undead apocalypse. While Zombieland dazzles with its fast-paced action and larger-than-life characters, Shaun of the Dead charms with its subtle satire and relatability. They show that there’s more than one way to survive—and laugh through—a zombie apocalypse. Both films are must-watches, so introduce them to the younger generations because they are certainly timeless.

A Few Weeks Later

I’ve had an incredibly busy few weeks, reason #1 why I skipped out on blog posts the last few weeks.

I did have time to put together this collage. A zombie walk of sorts. I’ve been doing a lot of work in Photoshop lately. Also finished up some illustrations for a book by another author and am trying to format the book with the best illustration sizes and such. Trying to figure out images in eBooks has been my latest challenge. Sure it sounds easy, but getting them a small and readable size is not the easiest, especially considering how illustrations or photos are so different depending on how they are created.

Now that I’ve bored you, let me bore you some more. I added a new blog post to the ArmLin House blog. Note that my editor and artist (non-horror related.) name is Wendy Spurlin. How to Standardize the Punctuation in a Manuscript Before Submitting or Formatting Your Book is all about what it says. It’s a pet peeve of mine to read a book and find all different types of punctuation like straight quotation marks vs slanted, the later being the correct format for a published book.

I watched Five Nights at Freddy’s, and it’s a fun horror movie for kids as well as adults. I added kids because I found it very light horror, and one of the main characters is a child. I’ve decided to continue watching horror movies I haven’t seen because the holiday season has begun and there will be plenty of themed horror movies to watch. Finding new ones will be challenging though!

Sorry, nothing new on Angels Dark and Dumb other than chapter 2 was handed over for critique. It needs a lot of work. I thought about doing NaNoWriMo this year, but I’m in the middle of too much with ArmLin House, so it didn’t happen.

All I got for ya this time. Have a great week!

The Zombie Stage & Artsy Horror Movie

This week’s horror collage, although it’s more of a stage scene. I’ve moved to Photoshop, so this is less choppy. I find this corny, but it was a great practice. As an afterthought, I probably should have painted in some mist. My favorite part is the hand at the bottom right. I also like the combination of hues with the teal and orange.

What shall I do next. Unfortunately, I’m not really feeling much Halloween inspiration this year. Not sure why, considering it’s my favorite holiday.

For my Halloween movie/show viewing pleasure this week I watched a really cool movie and Jack Osborne’s Night of Terror. Reminder I’m only watching stuff I’ve never seen. We’re All Going to the State Fair was more of an art/horror piece. Everyone will come away from it with their own interpretation. At first I expected more paranormal activity, but I came away terrified about how people take advantage of each other via the internet. But I’m also more afraid of the living than the dead. Night of Terror was another fun ghost hunting show. I love Portals to Hell, so I loved Jack Osborne’s new show.

All I got for ya. Have a GREAT week!

I Can’t Stop Thinking About Zombies

Yep, I got zombies on the brain. That’ll tell you how much I love them. Could also be because I started reading Do Zombies Dream of Undead Sheep?: A Neuroscientific View of the Zombie Brain by Timothy Verstynen and Bradley Voytek. So far it’s blowing my mind on how the brain works. I also did the collage to the right recently. Lots of fun and one of my favorites so far.

Very exciting news on my Amazon followers. I have 44. Okay, not so impressive, but if you had asked me before they added the number to Author Central, I’d have said I likely have only 3. I guess they added it a while back, but I just learned about it. Forced me to also spend some time there, updating my author profile. I’m not a huge fan of the new look and feel of the author pages though. Oh well.

And speaking of being an author, book covers are still in the works for the first 3 books. Everything else is ready to go. Trying to make sure I meet a May 15th release date. Still giving out Warrant for Damnation for free if you want it. Go to the Contact page to make a request.

Have a great week!

The Missing Ladies of Horror

It occurred to me that I haven’t posted the 1st two Ladies of Horror here in the blog, so that’s what I’m posting this week with my usual status or rant. As you can see, it’s Lilly Munster and the Bride of Frankenstein. One thing I’ve noticed is that they are getting better with each one I do. Everything was flat for these ladies and I’ve been playing with gradients with the more current ladies. I’ve also been getting braver on making changes to some of the line work. I finished Elvira, but you won’t see her here until next week or so. She’s up on Deviant Art @meanwinniejean if you want to see her there. I’ll always reveal the new ladies there first going forward. BTW, Lydia Deetz is in the works.

What else is up? I’m trying to find direction or training on how to draw zombies. I have this expectation that zombies need to look the scientific way of decomposition and that someone out there has created detailed instructions on how this works and how it should be drawn at various stages. Seems I’m sadly mistaken or need your help finding what I’m searching for. I spent a number of hours last week looking for blogs or YouTube videos that instruct in this way, but couldn’t find what I was looking for. I did find How to Draw Zombies video by David Finch that I should mention. Best part of the video is early on, when he goes over the usual stances for zombies. I found the rest of the video okay. It just got a little boring to watch because it was so long. I also felt the main zombie he drew was washed out. I really want to learn how to draw flesh wounds and shrinkage that pops.

Otherwise, covers are still under renovation, and there are a few other projects in the works that you’ll have to wait to see and hear about until next week. See you then.