A Few Weeks Later

I’ve had an incredibly busy few weeks, reason #1 why I skipped out on blog posts the last few weeks.

I did have time to put together this collage. A zombie walk of sorts. I’ve been doing a lot of work in Photoshop lately. Also finished up some illustrations for a book by another author and am trying to format the book with the best illustration sizes and such. Trying to figure out images in eBooks has been my latest challenge. Sure it sounds easy, but getting them a small and readable size is not the easiest, especially considering how illustrations or photos are so different depending on how they are created.

Now that I’ve bored you, let me bore you some more. I added a new blog post to the ArmLin House blog. Note that my editor and artist (non-horror related.) name is Wendy Spurlin. How to Standardize the Punctuation in a Manuscript Before Submitting or Formatting Your Book is all about what it says. It’s a pet peeve of mine to read a book and find all different types of punctuation like straight quotation marks vs slanted, the later being the correct format for a published book.

I watched Five Nights at Freddy’s, and it’s a fun horror movie for kids as well as adults. I added kids because I found it very light horror, and one of the main characters is a child. I’ve decided to continue watching horror movies I haven’t seen because the holiday season has begun and there will be plenty of themed horror movies to watch. Finding new ones will be challenging though!

Sorry, nothing new on Angels Dark and Dumb other than chapter 2 was handed over for critique. It needs a lot of work. I thought about doing NaNoWriMo this year, but I’m in the middle of too much with ArmLin House, so it didn’t happen.

All I got for ya this time. Have a great week!

Crazy Weird Horror Collage, Horror movies/shows & Dumping X (Twitter)

Sharing a horror collage I created recently. I love the way this one turned out and could stare at it for hours. Despite my moving to Photoshop, I did this one quickly in Canva. Like I say, it’s funny how something you throw together can work so well.

Wanna quickly mention that I’ve quit using X (Twitter), and the link has been removed below. At the same time, I added my GoodReads profile page, so you can go there and follow me. I try really had to keep that page updated.

Now on to the movies and programs I watched this week. First there’s the shorts. The Infernal Cauldron is a 1903 colorized short set in a dungeon, and women were dumped in the scalding cauldron. It was funny more than anything, and the special effects for the time were impressive. The other was Culpa, about guilt, but I didn’t really see the theme playing out as I had expected. It’s not rated the greatest, so I’ll leave it up to you whether you watch it.

The Hole in the Ground was okay. Very dark as it should be. It was really slow, so I checked email while it was on. In case you don’t know me, I partially gauge my reviews of horror movies by the number of times I do work while watching. The Pyramid was bad, which is probably why it has a 4.6 on IMDB. I did appreciate that the story was about a found pyramid that delved into Egyptian myth. The last movie I watched was The Black Phone. It was release last year, and it was my favorite of all of them. I remember seeing a trailer for this movie in the theater and wanted to see it there. Loved the story line, with a kidnapped kid getting clues from the boys who had previously been kidnapped and killed. You should definitely see this one.

There were a few reality TV shows I watched. Devil’s Road: The True Story of Lorraine & Ed Warren is good if you love the paranormal and want to know about the leaders of ghost hunting. As a trained psychic, I never get enough of shows like Dead Files and Ghost Adventures. And I started watching The Ghost Town Terror, and it’s pretty cool so far.

Reminder that Fall for Freedom is free through Halloween. Below is the first section of the book to entice you to download it. Otherwise, have a great week and HAPPY HALLOWEEN!

Bride of Chucky

Look who joins the Ladies of Horror. Tiffany, Bride of Chucky, is done. Probably the most fun to do, especially around the eyes. Great horror comedy movie, and Jennifer Tilly is so good as Tiffany.

I actually finished this one over a month ago, but forgot to post her here. And I just finished Frank-N-Furter, but you’ll have to wait a few weeks to see Tim Curry here. The drawing is on my @meanwinniejean Deviant Art account if you want to see it now.

Sadly, Frank-N-Furter is the last Ladies of Horror I’m doing for awhile. I’m moving on to Grim Reapers or Zombies. I’m also refining the illustrations for a children’s book I wrote for a school project. It’s time that I publish the book. It will be a similar format to the Frog and Toad books.

That’s all this week. Have a great next week.

Note that this series is a mix of well known Ladies of Horror done in a Patrick Nagel style from the 80s. I started these to better learn the Pen tool in Adobe Illustrator, and they’ve become an obsession. If there’s a lady of horror you’d like to see, leave her in a comment. I will start them back up at around Halloween.

Kinetic Typography & My First Video Art

Quick and fast post this week to show off my first assignment for my Adobe After Effects class. It’s a quote from Crazy Eyes in Orange is the New Black in Kinetic Typography. I’ve wanted to do another one of these for quite awhile. This was so much fun to do. What is that, you ask?

Kinetic typography is “the technical name for “moving text”—is an animation technique mixing motion and text to express ideas using video animation. This text is presented over time in a manner intended to convey or evoke a particular idea or emotion.”

Wikipedia

Warrant for Damnation Cover Reveal

Revealing the cover for Warrant for Damnation today. Special thanks again to Rebecca Treadway at Atrtink. Below is chapter 1 of the book.

ENJOY!

Who in his right mind goes home with a stranger he met on the highway like I did last night? Then again, it’s not the stupidest thing I’ve done over the past four days.

I peek outside the bedroom where I’ve tossed and turned the last few hours. At nearly five in the morning, the second-floor hallway is deserted. Perfect for a speedy getaway. But there’s no telling who or what lurks behind the oak doors that break up the flowery red-and-gold wallpaper.

On an ordinary workday, I’d rush off to my courier job for Hell. Yes, the literal Hell. Then I’d spend half my day pissing off my demon boss Margery, although not on purpose.

No work today though. As of yesterday, life is…complicated.

While I’m innocent, Margery managed to convince Satan that I sabotaged his plan to open the Gates of Hell. And God believes I sacrificed hundreds of His white warriors to get the job done. Worst of all, Margery’s Minotaurs took off with my friend Nina before we were able to escape together.

Floorboards creak under my skater shoes as I duck into the hallway, my messy brown curls brushing under the doorframe. The smell of pancakes rises from the first floor and awakens my senses in a bad way. Fruity flavored cereal and gin are more my breakfast of champions, but it doesn’t matter. No time to eat. I’ve got to sneak out and save Nina from the seven levels of misery that Margery’s likely inflicting on her.

A doorknob clicks to my left.

Damn!

Pete exits a bedroom with a smile. “Morning, Barry. Able to sleep?”

He’s the stranger who brought me to this old farmhouse, and he’ll try to convince me to stay. Pete professes to be a miracle worker for the Catholic Church and can smooth things over with God. He’s also promised to nullify my contract with Satan and provide protection against Hell’s bounty hunters. Boy, I want to believe him, but the mosh pit of butterflies in my stomach warn to trust no one.

My grip tightens on the wood-carved railing. Get out. Find Nina.

On impulse, my feet take off, descending the stairs at hyper-speed, as if I’m The Flash in the comic book series. Unable to control this ability attained during a trip to Hell’s refugee camp, all I can do is tuck and go into a double somersault to put on the brakes. I land on something rigid at the bottom of the staircase, pain erupting in my ribs.

“Damn!” I shiver at the sight of a wooden shard from the broken coat rack piercing my t-shirt and torso at my side. I grit my teeth, grab the protruding spike, and yank. Cupping the gash is no help. Bright red blood oozes between my fingers and drips onto my baggy jeans.

Seems everything I do lately turns to shit or a fountain of gore.

Pete descends to the first floor, my body twitching with each heavy step of his cowboy boots. He’s more wrinkled than I remember. Maybe his jet-black pompadour concealed his age.

He sweeps back his tan tweed jacket and slides a thumb into the front pocket of his jeans. The way he dresses, the guy could be a cowboy professor.

“I’d ask how you feel,” he says, “but that wound is answer enough.”

While struggling to pick up my glasses and stand on unsteady legs, I clench my jaw tighter and suck air between my teeth.

“Hold on, Barry.” Pete skips down the last few steps. “Let me help.”

Still clutching my ribs, I recoil, suspicious of anything he’s offering. “It’ll heal in a few minutes.”

“Let’s at least get you tidied up,” he says, “and into clean clothes.”

“Thanks, but no time.” I face the front door, decorated with panes of yellow-stained glass. “Besides, I shouldn’t be here. I have to find Nina before Margery turns her into a demon chew toy.” My gaze drops, knowing what a gutless loser I am for leaving her behind.

“Two seconds outside and you’ll have Hell’s bounty hunters fighting to take you in for closing the hellhole. At least stick around long enough to break your contract with Satan. They won’t be able to track you.”

“You saw me move. I’m too fast to catch.”

“But not very coordinated.” He lifts an eyebrow and half grins.

After a brief pause, I sidestep toward the door.

“Nina’s fine.” Pete pulls a cell phone from his blazer pocket. “Oscar’s keeping an eye on her at the warehouse. Call him. He’ll let you talk to her.”

“He hates me, not to mention he’s Margery’s lackey.”

“Like I told you. Oscar’s a double agent. He’s been feeding me information for years and has always been reliable.” Pete waves the phone. “Go ahead. His number’s the last incoming call.”

I blow out a long sigh, reach for the cell, and grasp it with blood-soaked fingers. Instead of contacting Oscar, I flip through the call log and find the names of people close to me. I glare at Pete, feeling more guarded than ever. “Why’ve you been talking to my mother and Father Timothy?”

“She’s worried…” he stutters. “They’re worried, Barry, and I’ve been watching—”

“Watching Margery take my soul and turn me into a wanted man.”

“Remember last night, when I mentioned Margery blamed me for closing the Gates of Hell the year you were born? I understand what you’re going through. It’s why you should stay. Barry, please, there’s so much more you need to know.”

The phone slips out of my hand and falls to the floor. My only thought, No one can be trusted, not even Mom. I’m out the door at hyper-speed, my side erupting with pain.